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Early music

The Department of Early Music of the ESMUC manages the subjects related with musical execution with historical instruments and certain specific practices in this field, such as improvisation, analysis and theory of interpretation.

The Department aims to be an open space where more specialized studies converge with the additional training chosen by students from other fields, thus providing a broad range of individual options and a level of professional excellence.

The instrumental specialties in the Early Music department of the ESMUC are oriented towards performance of 16th- to early 19th-century western music, although seminars on medieval music are held regularly and there are plans o hold others on the contemporary application of early instruments. In essence, there are two major tracks of study, grouped according to the different contextual features: one covering the 16th and 17th centuries and the other covering 18th- and early 19th-century music. Each specialty has its specific instrumental groups, both small and large, as well as the baroque and classical  orchestra.

The Instruments office of the ESMUC has obtained a considerable number of instruments that are reproductions of historical prototypes covering this period, thus facilitating access to them by students in different fields of music.

In addition to the official studies aimed at obtaining the university-level degree in early music instruments, seminars and specialization courses are offered as well, and are addressed to professionals in the music field or graduates who would like to leearn about, or deepen their knowledge of, these specialties.

Teachers of the Department of Early Music

Surnames Name Subjects
Ackerman Andrew

Historical counter-bass

Violone

Chamber

Almajano Marta

Historical chant

Specific repertoire of historical chant

Chamber

Balssa Emmanuel

Viola da gamba

Chamber

Blanch Xavier

Historical oboe

Chamber

Bonet Javier

Natural horn

Chamber

Borràs Josep Historical bassoon main instrument
Canhiac Jean Pierre

Cornet

Chamber

Casademunt Sergi

Viola da gamba secondary instrument

Specific repertoire of ancient music

Chamber

Casulleras Pere  
Climent Lambert

Historical chant

Chamber

Cocset Bruno

Historical cello

Chamber

Coppola Lorenzo

Historical clarinet

Chamber

Díaz Latorre Xavier

Struck string instruments

Chamber

Estevan Pedro

Historical percussion

Specific percussion instrumental repertoire

Chamber

Galassi Mara

Historical harps

Improvisation of ancient music (figured bass)

Chamber

Galduf Simeon

Sackbut

Chamber

Garrigosa Francesc

Historical chant

Chamber

Gascón Montserrat Baroque flute secondary instrument
Guerra Joaquim Historical bassoon secondary instrument
Hantaï Marc

Baroque flute

Chamber

Martin Béatrice

Harpsichord

Specific harpsichord instrumental repertoire

Martínez Borruel Eduard

Harpsichord secondary instrument

Improvisation of ancient music (figured bass)

Memelsdorff Pedro

Recorder

Chamber

Molina Emilio Improvisation of ancient music
Moreno Emilio

Historical violin

Historical viola

Chamber

Improvisation of ancient music

Pustilnik Mónica

Struck string secondary instrument

Improvisation of ancient music (figured bass)

Specific instrumental repertoire of struck string instruments

Chamber

Romaní Albert

Harpsichord secondary instrument

Ancient music choir

Theory of performance of ancient music

Rubio Francisco

Improvisation of ancient music

Chamber

Schoonderwoerd Arthur

Forte piano

Chamber

Tizac Serge

Natural trumpet

Chamber

Valetti Pablo

Historical violin

Chamber

 Accompanist (harpsichord, fortepiano): Heidi Tsai